I received this art from Glendon Mellow for my birthday. Today I am a third of a century old. Thanks, Glendon!
Great Darwin print on Etsy:
The NCSE has changed how they publish RNCSE. Content from the latest issue is up online, inlcluding a book review by me:
NCSE is pleased to announce the second issue of Reports of the National Center for Science Education in its new on-line format. The issue — volume 31, number 2 — includes Matt Cartmill’s “Turtles All the Way Down: The Atlas of Creation“; Alice Beck Kehoe’s “The Lost Civilizations of North America Found … Again!”; and, in his regular People and Places column, Randy Moore’s “Billy Sunday: 1862-1935,” discussing the creationism of the ballplayer-turned-evangelist.
Plus a flurry of Darwinalia: Michael D. Barton reviews John van Wyhe’s The Darwin Experience; Steven Conn reviews James Lander’s Lincoln and Darwin; Piers J. Hale reviews David N. Reznick’s The Origin Then and Now; Allen D. MacNeill reviews James T. Costa’s The Annotated Origin; Michael Ruse reviews Phillip Prodger’s Darwin’s Camera and Barbara Larson and Fae Brauer’s The Art of Evolution; and Keith Thomson reviews Julia Voss’s Darwin’s Pictures.
All of these articles, features, and reviews are freely available in PDF form from http://reports.ncse.com. Members of NCSE will shortly be receiving in the mail the print supplement to Reports 31:2, which contains, in addition to summaries of the on-line material, news from the membership, a new column in which NCSE staffers offer personal reports on what they’ve been doing to defend the teaching of evolution, and more besides. (Not a member? Join today!)
Olivia did a small event on Monday night at Powell’s bookstore in Beaverton, OR (near Portland). It is wonderful to meet a young person with not only a tremendous passion for nature, but the motivation to do something positive with it. We are happy to have a signed copy of Olivia’s Birds: Saving the Gulf in our collection. Patrick was rather shy with her, though:
Patrick and I were at the Audubon Society of Portland’s center in Forest Park last week. I spotted a new book, Something Fishy This Way Comes: The Artwork of Ray Troll:
It includes this fabulous portrait of Darwin:
You can find it on shirts through Troll’s website (wait, it says ‘out of stock’).
+ + All the money earned by this auction will go to the Japanese Red Cross Society to aid their earthquake and tsunami relief work + +
Original comic artwork by Simon Gurr. Ink on Bristol board 210 x 297mm.
Page 45 from Darwin: A Graphic Biography by Simon Gurr & Eugene Byrne (BCDP 2009)
The main panel on this page depicts Charles Darwin standing in the ruins of the Chilean town of Concepción, after the earthquake of 1835 (a smaller panel below it is a diagram of evidence of land movement caused by the earthquake).
The pictures posted here show the original artwork, a close-up detail of the orginal artwork and also the page as it appeared in the book after editing, tinting and lettering. The picture of the original artwork is a scan, not a photograph. I can photograph the artwork on request.
The artwork is being sold by the artist, so it can be signed if the winning bidder requests.
The bidding is currently at £26.00 (7 bids), and closes in 6 days. Click the image to go to the eBay page.
I’ve had a Darwin fish or two removed from cars in the past. My mom once was questioned by a Bible-wielding Christian at her door, when I lived at home, why she would allow someone who accepts evolution to live in her house. I’ve been de-friended on Facebook by longtime friends and acquaintaneces because of my views, both pro-evolution and anti-creationism.
Maybe this image sums me up well:
This first engraving is probably familiar to many:
I recently came across three more engravings of Darwin by Meredith Nugent in the 1899 biography by Charles Frederick Holder, Charles Darwin: His Life and Work, available through Google Books. Just sharing for interest’s sake!
I thought I had shared this here before, but I guess not. From a 2007 issue of Mad (hat-tip to Why Evolution Is True):
Brought to you by the NCSE:
Today is the deadline for Charlie’s Playhouse’s evolution and art contest. See here for details.
Patrick’s entry, in the age 4-6 group – “Rainbow Bear”:
Love in the Time of Chasmosaurs: Vintage Dinosaur Art: The Gishosaurs
Life Ascending: The Ten Great Inventions of Evolution wins the Royal Society’s Science Book Prize
VIDEO – The Poetry of Science: Richard Dawkins and Neil deGrasse Tyson:
Sandwalk: Dispatches from the Evolution Wars
The Red Notebook: People want to see the Beagle
Two interviews with Laelaps’ Brian Switek, author of the soon-to-be-released Written in Stone: Evolution, the Fossil Record, and Our Place in Nature
Clips from the new documentary First Life from David Attenborough, plus:
History of geology: Dragons and Geology
BBC Audio Slideshow: Jurassic woman (Mary Anning)
From the Hands of Quacks: For the Maker of the Stars: The Cultural Reception of Print
Whewell’s Ghost: Mr. X
History of science blog: Evocative objects
Darwin and Gender: The Blog: The Reluctant Bride Groom?
Darwin Correspondence Project: Alison Pearn to discuss ‘Darwin’s Women’ at Wesleyan University
Charlie’s Playhouse blog: Irresistible contest entry
Natural History @ 100: The Smithsonian/Roosevelt African Expedition 1909-1910
Ptak Science Books: Phantom in the Opera: Questions about Darwin and Einstein and Music
Robert Kohler reviews Steven Shapin’s Never Pure: Historical Studies of Science as if It Was Produced by People with Bodies, Situated in Time, Space, Culture, and Society, and Struggling for Credibility and Authority for Science
Melanie Keene reviews Peter Bowler’s Science for All: The Popularization of Science in Early Twentieth-Century Britain in Centaurus
Here are two cartoons from Jay Hosler (blog), biologist and author/illustrator of The Sandwalk Adventures: An Adventure in Evolution Told in Five Chapters and author of the forthcoming Evolution: The Story of Life on Earth (cover art below):
Visual representation in science is the study of how images can inform an understanding of scientific practice and the production and dissemination of knowledge. There will be at least two worskshops on this topic in the next year (here and here). The description of one describes images as “occupy[ing] a special place… for their power to encapsulate scientific knowledge, their capacity to communicate to various publics, and their flexibility in the production of meanings by the interaction of producers and users.” For this month’s edition of the history of science blog carnival, The Giant’s Shoulders and it’s theme of visuals and representations in science, I thought I’d share some information about Darwin and evolution in cartoons and caricatures.
Jonathan Smith looked at visual representation within Darwin’s various books in his 2006 book Charles Darwin and Victorian Visual Culture (Cambridge Studies in Nineteenth-Century Literature and Culture) (you can read the first chapter as a pdf). One could look at Darwin portraiture and photography, maybe Janet Browne has, and how specific images have been used to push a particular way of looking at Darwin. The Darwin year saw many books looking at Darwin and his impact on art. Constance Clark’s 2001 article in The Journal of American History, “Evolution for John Doe: Pictures, the Public, and the Scopes Trial Debate,” is about the “role of visual images of evolutionary ideas published during the [Scopes]debate.” And Heather Brink-Roby’s article “Natural Representation: Diagram and Text in Darwin’s ‘On the Origin of Species,” in Victorian Studies, looks at how Darwin used diagram and text “not simply to argue for, but also as evidence of, his theory.” Also, analyses of the March of Progress imagery of evolution and other representations (like trees of life) would fit into visual representations (see here and here, and of course Gould’s Wonderful Life: The Burgess Shale and the Nature of History, specifically chapter 1, “Iconography of an Expectation”).
Where do political cartoons and caricatures fit into this? Surely, such images were avenues of knowledge for the public, and how a cartoon represented Darwin or evolution (anti-evolution, pro-evolution, etc.) had an impact on the viewer, and evolution was used as a means to comment on society and culture or whatever was in the news. I know of at least two historians of science who have published on the topic:
Browne, Janet. “Darwin in Caricature: A Study in the Popularisation and Dissemination of Evolution.”Proceedings of the American Philosophical Society 145:4 (December 2001): 496-509. (also, see my post 19th-Century Caricature Prints with Tyndall, Darwin caricatures at The Primate Diaries, and Darwin caricatures at Genomicron)
Davis, Edward B. “Fundamentalist Cartoons, Modern Pamphlets, and the Religious Image of Science in the Scopes Era.” In Religion and the Culture of Print in Modern America, edited by Charles Lloyd Cohen and Paul S. Boyer, 175-98. Madison: University of Wisconsin Press, 2008.
Davis presented at the History of Science Society meeting in 2009 on “Demonizing Evolution,” sharing some of the fundamentalist cartoons. Since Google Books won’t let me see the cartoons in the article, I’m not sure if those in his talk are the same as those in his article, but I will share a few from his talk:
These cartoons in the era of the Scopes trial present evolution as: dangerous to one’s faith (learning about and accepting evolution will creep into one’s religious life), “modern” education is cheating on God and the Bible; evolution is anti-religion; evolution is sacred and religious itself; the theory of evolution is collapsing, full of speculation and not fact-based. Much of these claims are still used today, by many creationists and intelligent design proponents who spend more time trying to discredit evolution than convincing us that their view is scientific. Such cartoons and anti-evolution pamphlets, according to Davis, “provide new insights into the intense debate about the meaning of science and the nature of religion that took place among American Protestants in the 1920s. From popular publications such as these, we see just how the fundamentalists and the modernists both attempted to influence public opnion about the religious image of science in the decade of the Scopes trial” (193).
There is a wonderful resource for political cartoons that do the opposite of demonizing evolution. Historian of science Joe Cain has brought to our attention the ephemeral journal Evolution: A Journal of Nature, which ran from 1927 through 1938, 21 issue in all, and he provides a publication history for it in a 2003 article for Archives of Natural History. Evolution was “a monthly platform for pro-evolutionist perspectives and as a device for rebutting anti-evolutionists. It also aimed to bolster the resolve of teachers caught in the centre of curriculum debates.” Its purpose was laid out in the first issue: “This magazine will help bridge that gap by furnishing a forum in which science itself can speak in popular language without fear of the restraints with which fundamentalists are seeking to shackle them.” Among the articles within Evolution were scores of political cartoons. Cain has made all the issues available (also available through the Biodiversity Heritage Library) and a page with some of the cartoons. Here are a few:
Unfortunately, Evolution was not a great success (hence, only 21 issues). By its 12th issue, the journal touted its 5,000 subscribers, and provided a list of how many by state. Interestingly, it had the most subscribers in New York City (675), California (551), New York State (494), Illinois (486), and Ohio (299). A few others in the 100-200 range (including Pennsylvania), and the rest under 100, including all states in the South.
I will also point out another website, put togteher by Mark Aldrich, called Cartooning Evolution, 1861-1925, broken up into Darwin and Evolution, Evolution as Social Comment, Victorian Science, Fundamentalist Publications, The Scopes Trial: Northern Newspapers, The Scopes Trial: National Magazines, and The Scopes Trial: Southern Newspapers. Here’s a sampling, but be sure to check out the website itself, there are many more. Enjoy:
The Geological Society, London has published a volume of papers on the history of dinosaur (or phylogenetically-related) paleontology, Dinosaurs and Other Extinct Saurians: A Historical Perspective, edited by R.T.J. Moody, E. Buffetaut, D. Naish (blog), and D.M. Martill:
The discovery of dinosaurs and other large extinct ‘saurians’—a term under which the Victorians commonly lumped ichthyosaurs, plesiosaurs, pterosaurs and their kin—makes exciting reading and has caught the attention of palaeontologists, historians of science and the general public alike. The papers in this collection go beyond the familiar tales about famous ‘fossil hunters’ and focus on relatively little-known episodes in the discovery and interpretation (from both a scientific and an artistic point of view) of dinosaurs and other inhabitants of the Mesozoic world. They cover a long time span, from the beginnings of ‘modern’ scientific palaeontology in the 1700s to the present, and deal with many parts of the world, from the Yorkshire coast to Central India, from Bavaria to the Sahara. The characters in these stories include professional palaeontologists and geologists (some of them well-known, others quite obscure), explorers, amateur fossil collectors, and artists, linked together by their interest in Mesozoic creatures.
And the papers:
Mark Evans, The roles played by museums, collections and collectors in the early history of reptile palaeontology [Abstract]
H. S. Torrens, William Perceval Hunter (1812–1878), forgotten English student of dinosaurs-to-be and of Wealden rocks [Abstract]
Leslie F. Noè, Jeff J. Liston and Sandra D. Chapman, ‘Old bones, dry subject’: the dinosaurs and pterosaur collected by Alfred Nicholson Leeds of Peterborough, England [Abstract]
Federico Fanti, Life and ideas of Giovanni Capellini (1833–1922): a palaeontological revolution in Italy [Abstract]
Richard T. J. Moody and Darren Naish, Alan Jack Charig (1927–1997): an overview of his academic accomplishments and role in the world of fossil reptile research [Abstract]
Susan Turner, Cynthia V. Burek and Richard T. J. Moody, Forgotten women in an extinct saurian (man’s) world [Abstract]
Xabier Pereda Suberbiola, José-Ignacio Ruiz-Omeñaca, Nathalie Bardet, Laura Piñuela and José-Carlos García-Ramos, Wilhelm (Guillermo) Schulz and the earliest discoveries of dinosaurs and marine reptiles in Spain [Abstract]
Matthew T. Carrano, Jeffrey A. Wilson and Paul M. Barrett, The history of dinosaur collecting in central India, 1828–1947 [Abstract]
Eric Buffetaut, Spinosaurs before Stromer: early finds of spinosaurid dinosaurs and their interpretations [Abstract]
Martin A. Whyte, Mike Romano and Will Watts, Yorkshire dinosaurs: a history in two parts [Abstract]
A. J. Bowden, G. R. Tresise and W. Simkiss, Chirotherium, the Liverpool footprint hunters and their interpretation of the Middle Trias environment [Abstract]
Darren Naish, Pneumaticity, the early years: Wealden Supergroup dinosaurs and the hypothesis of saurischian pneumaticity [Abstract]
Peter Wellnhofer, A short history of research on Archaeopteryx and its relationship with dinosaurs [Abstract]
Kasper Lykke Hansen, A history of digit identification in the manus of theropods (including Aves) [Abstract]
Attila Osi, Edina Prondvai and Barnabás Géczy, The history of Late Jurassic pterosaurs housed in Hungarian collections and the revision of the holotype of Pterodactylus micronyx Meyer 1856 (a ‘Pester Exemplar’) [Abstract]
David M. Martill, The early history of pterosaur discovery in Great Britain [Abstract]
Mark P. Witton, Pteranodon and beyond: the history of giant pterosaurs from 1870 onwards [Abstract]
Jean Le Loeuff, Art and palaeontology in German-occupied France: Les Diplodocus by Mathurin Méheut (1943) [Abstract]
J. J. Liston, 2000 A.D. and the new ‘Flesh’: first to report the dinosaur renaissance in ‘moving’ pictures [Abstract]
Michael P. Taylor, Sauropod dinosaur research: a historical review [Abstract]