Here are a few items of possible interest to readers here:
David A. Kirby
Abstract In the mid-twentieth century, film studios sent their screenplays to the Hays Office, Hollywood’s official censorship body, and to the Catholic Church’s Legion of Decency for approval and recommendations for revision. This essay examines how filmmakers crafted stories involving evolutionary biology and how religiously motivated movie censorship groups modified these cinematic narratives in order to depict what they considered to be more appropriate visions of humanity’s origins. I find that censorship groups were concerned about the perceived impact of science fiction cinema on the public’s belief systems and on the wider cultural meanings of evolution. By controlling the stories told about evolution in science fiction cinema, censorship organizations believed that they could regulate the broader cultural meanings of evolution itself. But this is not a straightforward story of “science” versus “religion.” There were significant differences among these groups as to how to censor evolution, as well as changes in their attitudes toward evolutionary content over time. As a result, I show how censorship groups adopted diverse perspectives, depending on their perception of what constituted a morally appropriate science fiction story about evolution.
In The Linnean (PDF here):
John van Wyhe
Summary “It is true that Huxley was widely known as a defiant defender of Darwinism. But imagining that he was widely acknowledged as ‘Darwin’s bulldog’ obscures some of the historical reality, such as the fact that he had his own (non-Darwinian) ideas about evolution and was long tentative about the efficacy of natural selection. Appreciating that he was not known as ‘Darwin’s bulldog’ should lead to a more nuanced recognition of who he was and what he really did. If one of the most widely known, enjoyed and unquestioned nicknames in the history of science is incorrect, what other undisputed facts might also be wrong?”
And a PhD dissertation (PDF here):
Eric Michael Johnson
Summary This dissertation follows the history and intellectual development of Peter Kropotkin whose scientific theory of mutual aid showed how Darwinian evolution could explain cooperation and the origin of morality. By following his journey from prince to naturalist to political radical, it reveals that Kropotkin was part of a transnational network of scientific and political thinkers whose perspective can be defined as Socialist Darwinism. Those figures that would later be defined as representing Social Darwinism originated in their opposition to Socialist Darwinism and through an ongoing debate with them. This demonstrates that political and scientific ideas about evolutionary change were influenced by each other in the late-nineteenth and early-twentieth centuries.